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Jan Steen
Self-Portrait as a Lutenist
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ID: 32690
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Jan Steen
Dutch Baroque Era Painter, ca.1625-1679
Daily life was Jan Steen's main pictorial theme. Many of the genre scenes he portrayed are lively to the point of chaos and lustfulness, even so much that a Jan Steen household, meaning a messy scene, became a Dutch proverb (een huishouden van Jan Steen). Subtle hints in his paintings seem to suggest that Steen meant to warn the viewer rather than invite him to copy this behaviour. Many of Steen's paintings bear references to old Dutch proverbs or literature. He often used members of his family as models. Jan Steen painted also quite a few self-portraits, in which he showed no tendency of vanity.
Steen did not shy from other themes: he painted historical, mythological and religious scenes, portraits, still lifes and natural scenes. His portraits of children are famous. He is also well known for his mastery of light and attention to detail, most notably in textiles. Steen was prolific, producing about 800 paintings, of which roughly 350 survive.
Steen's work was valued much by contemporaries and as a result he was reasonably well paid for his work. He did not have any students, but his work proved a source of inspiration for many painters. Related Paintings of Jan Steen :. | Prince-s Day,Interior of an inn with a company celebration the birth of Prince William III | The Doctor's Visit | Skittle Players Outside an Inn | The Dissolute Household | Grace Before Meat | Related Artists: MarchettiItalian
1853-1909
Michael Conrad Hirtpainted Portrait of Anna Rosina Tanck, wife of the mayor of Lubecker in1642 John French Sloan(August 2, 1871 - September 7, 1951) was a U.S. artist. As a member of The Eight, a group of American artists, he became a leading figure in the Ashcan School of realist artists. He was known for his urban genre painting and ability to capture the essence of neighborhood life in New York City, often through his window. Sloan has been called "the premier artist of the Ashcan School who painted the inexhaustible energy and life of New York City during the first decades of the twentieth century",and an "early twentieth-century realist painter who embraced the principles of socialism and placed his artistic talents at the service of those beliefs."
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